My friend dragon-in-drag drew a wonderful picture of our characters - Nisi, who is a beautiful Dwarf Lady, and Dreamo, who is a Hobbit and madly in love with her.
If you would like to read more about Nisi, then please visit CurvedSteel - the wordpress blog about female Dwarves in the MMORPG Lord of the Rings Online and (as of late) in Hobbit movies too. I can promise that you will love the story of this fire-bearded and -tempered Dwarf Lady =)
I colored my Woolsey Scott sketch to celebrate two great events - that the Clockwork Princess did not kill the character or destroy any part of our head-canon and that my beloved Schursch came back to Moscow today)
P.S. Oh, and I’ve sent Cassandra Clare a fan message asking about Woolsey and fangirling like a total idiot, I’m so sor… oh wait, I’m not!
I am thrilled to see more Woolsey and more of my beloved dragon on tumblr!)
Source: dragon-in-drag
Grindeldore is (are?) love. Enjoy, tumblr, it’s your lucky chance! Source: dragon-in-dragTwo years old sketch my friend told me she liked. So I repost it here since it’s been deleted from every other place on the net. Maybe someone likes every pic with those two in it. I do)
Here is a sketch of Woolsey Scott – a character from the Infernal Devices series by Cassandra Clare. It was drawn by my girlfriend and, of course, she is deeply unhappy with how it turned out, because no picture seems to reflect the awesomeness of his glorious wolfish self enough)
Woolsey is one of our two favourite characters in the Shadowhunters universe (the second one being Magnus, of course). It seems extremely witty to us that Cassandra Clare made an aesthete out of a werewolf character – a species that is often portrayed as crude, rude, and unsophisticated. And British aesthete basically means Oscar Wilde or Dorian Gray, who are undeniably awesome.
Woolsey wears a ring with “L’art pour l’art” engraved on it, which translates as “Art for art’s sake”, expressing “that the intrinsic value of art, and the only “true” art, is divorced from any didactic, moral or utilitarian function” (thank you, Wikipedia). And it describes the character perfectly: he is not bad, he is not good; he is artistic.
We had fun at the Ren Fest last weekend, the theme was Celtic Pride so Layla wore her Merida costume. She was a hit, and she won the daily costume contest. We met this big lady there too.
(via imagineeringdreams)
Source: listentoyourmumzy
Since there is not enough Woolsey Scott either in the books or on Tumblr, it stands to reason that this werewolf with exquisite taste must be spending his time someplace else. Someplace and, I should add, sometime else.
He was reborn with no memories of his past life, and has recently undergone a rough patch of betrayal, robbery, and financial near-ruin. The need to abandon his spacious mansion filled with art pieces was devastating enough, but the new temporary house extracted from Woolsey more than one cry of anguish with its tasteless furnishings and mismatched wallpaper.
What a relief it was to find at least one decent piece of old furniture on special offer!.. But the said piece attracted not only Woolsey’s admiration, but also unrestful ghosts – and a man who specialized in summoning and banishing, though not as much of ghosts than of demons. None other than a bright, whimsically dressed, exotic-looking warlock Magnus Bane, who changed a lot of places and circles since his time in London, but would never mistake his dear friend Woolsey Scott for anyone else.
And few things help a quick (re)acquaintance as much as a joint ghost-hunting!
Is it bad that I like that one demon Magnus summons in the beginning of Clockwork Prince more than I like Jem Carstairs?
That demon is worth his share of liking) Coming up with such an astonishingly effective “curse” in the first moments after being imprisoned for ~20 years! And the color blue, of course)
Source: seakats
Aesthetic foundation for the Epic Friendship (and occasional lovemaking) of Woolsey Scott with Magnus Bane:
“… faced with a product of China – something weird, strange, distorted in form, intense in color and sometimes delicate to the point of evanescence”
Baudelaire, via “Art and life in aestheticism: de-humanizing and re-humanizing art, the artist, and the artistic receptor” by Kelly Comfort (Ed.)
